Virginia Woolf's landmark inquiry into women's role in society

 

In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister—a sister equal to Shakespeare in talent, and equal in genius, but whose legacy is radically different. This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. If only she had found the means to create, argues Woolf, she would have reached the same heights as her immortal sibling. In this classic essay, she takes on the establishment, using her gift of language to dissect the world around her and give voice to those who are without. Her message is a simple one: women must have a fixed income and a room of their own in order to have the freedom to create.

Arcadia takes us back and forth between the nineteenth and twentieth centuries, ranging over the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life. Focusing on the mysteries―romantic, scientific, literary―that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and . . . emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow . . . Exhilarating" (Vincent Canby, The New York Times).

The nine stories and one poem collected in this volume formed the basis for the astonishingly original film “Short Cuts” directed by Robert Altman. Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. From the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books).

Set in the idyllic countryside outside Athens, the Phaedrus is a dialogue between the philosopher Socrates and his friend Phaedrus, inspired by their reading of a clumsy speech by the writer Lysias on the nature of love. Their conversation develops into a wide-ranging discussion on such subjects as the pursuit of beauty, the immortality of the soul and the attainment of truth, and ends with an in-depth consideration of the principles of rhetoric. Probably a work of Plato's maturity, the Phaedrus represents a high point in his achievement as a writer. This volume also contains two of his letters, which discuss his involvement in politics, in particular his role as adviser to Dionysius II of Syracuse, and are crucial documents for our understanding of Plato's life and career.

Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.

Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the “Notable Books of 1967” by the American Library Association.

This peerless new edition of Chaucer's complete works is the fruit of many years' study, and replaces Robinson's famous edition, long regarded as the standard text. Freshly edited and annotated, the "Riverside Chaucer" is now the indispensable edition for students and readers of Chaucer.

This Glossary, designed as a practical aid to the reading of Chaucer, is intended to be serviceable with any of the widely read editions. Its primary aim is to explain the meanings of words and phrases used by Chaucer in ways which are unfamiliar in modern English. Words used as they are today are not included, but many now in common use do appear, as they had different connotations in Chaucer's time. This concise working tool will be valuable to all Middle English scholars.

James Merrill’s audacious and dazzling epic poem, The Changing Light at Sandover, remains as startling today as when it first emerged in separate volumes over a period of several years. Individual parts won the Pulitzer Prize and the National Book Award, and the entire poem, when it was collected into one volume in 1982, won the National Book Critics Circle Award. It is now an American classic, here in a definitive new hardcover edition that includes Voices from Sandover, Merrill’s recasting of the poem for the stage. The book carries us to the scene of Merrill’s Ouija board sessions with his partner, David Jackson—the candlelit Stonington dining room with its flame-colored walls and the famous Willowware cup they used as a pointer in their occult travels. In a shimmering interplay of verse forms, Merrill set down their extended conversations with their familiar and guide, Ephraim (a first-century Greek Jew), W. H. Auden, W. B. Yeats, Plato, a brilliant peacock named Mirabell, and other old friends who had passed to the other side. JM (whom the spirits call “scribe”) and DJ (“hand”) are also introduced to the lonely eminence God B (“God Biology”), his sister Mother Nature, and a host of angels and lesser residents of the empyrean who are variously involved in the ways of this world.
The laughter, the missteps, and the schoolroom frustrations of the earthly pair’s gradual enlightenment make this otherworldly journey, finally, and utterly human one. A unique exploration of the writer’s role in a postatomic, postreligious age, Sandover has been compared to the work of Yeats, Proust, Milton, and Blake. Merrill’s tale of the joys and tragedies of man’s powers, and his message about the importance of our endangered efforts to make a good life on earth, will stand as one of the most profound experiences available to readers of poetry.

There is no more authoritative collection of the poetry that Eliot himself wished to preserve than this volume, published two years before his death in 1965.

Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes The Love Song of J. Alfred Prufrock along with Four Quartets, The Waste Land, and several other poems.

A succinct and readable introduction to the work of T. S. Eliot.

This is the fifth, revised and enlarged, edition of this guide which is designed to help the reader of Eliot's "Selected Poems" by identifying and explaining the wide range of literary, factual and historical quotations, allusions and references.

Chosen by Eliot himself, the poems in this volume represent the poet’s most important work before Four Quartets. Included here is some of the most celebrated verse in modern literature-”The Love Song of J. Alfred Prufrock,” “Gerontion,” “The Waste Land,” “The Hollow Men,” and “Ash Wednesday”-as well as many other fine selections from Eliot’s early work.

This is a comprehensively revised second edition of a classic student text with the 1798 and 1800 editions of Lyrical Ballads reprinted together. It contains the complete text of one of the most important documents of the Romantic movement - now with new introduction, textual variants and fully up-dated, copious notes.

The second half of Tony Kushner's Pulitzer Prize-winning epic Angels in America, Perestroika steers the characters introduced in Millennium Approaches from the opportunistic eighties to a new sense of community in the nineties. "Not only a stunning resolution of the resounding human drama of Millennium Approaches, but also a true millennial work of art."—Frank Rich, The New York Times